Shards of the bluest blue are made by a process of cutting, splaying, bending, and drilling, following an informal set of making rules. Playful and unusual forms emerge from these standard rectangular profiles – a series of strange hunting trophies – a practice in finding functions, joints, and shapes with restrictive raw materials.

Additionally a new colour of stools, chair and a low table, using the 

02 Kiko X Soft Baroque.jpg

 exhibition. Paris, March 2025. Photos by Soft Baroque, Kiko Kostadinov and Mickaël Llorca.

Shards of the bluest blue are made by a process of cutting, splaying, bending, and drilling, following an informal set of making rules.

 Kiko Kostadinov

Carved Aluminium hooks

The Addicted retail space for Kiko Kostadinov continues the idea of a rotting, frozen house scatted across the world. An aluminium structure with greater depth suggests a doorway and two rooms with flooring. It feels like the most substantial fragment left of this fictitious structure. Elsewhere in the store, a duotone display shelf is accompanied by a cash desk featuring with walnut burl veneered panels and stainless steel tubes.

 module for Kiko Kostadinov's interior at Addicted. Seoul, 2024.

Interior for Addicted: Kiko Kostadinov. Korea, 2024.

Kiko Kostadinov

Addicted interior

We have always been fascinated by frames as functional objects, serving the purpose of presentation by creating a border between an artwork and the wall. Recently this line has become thinner and more invisible under the modernist philosophy of letting a work speak for itself. However we think there is something lost in negating the conversation between a frame and an artwork. How can one change the context, value or objective of the other? We often make distortions of traditional furniture to typologies, not necessarily as a solo ironic gesture, but also to try to create something beautiful, functional, and valuable.

 frames for Camille Henrot at Houser & Wirth and Mennour.

by Marie Jacotey at Hannah Barry Gallery. London, September - November 2017.

 frames and bamboo support for Marie Jacotey at NADA. Miami, December 2018.

Put a bow on it. Glass, aluminium and ribbon.

 for FOS at Etage Projects. Copenhagen, September 2023.

in walnut for FOS at Etage Projects. Copenhagen, September 2023.

 by Marie Jacotey at the Drawing Room. London, September 2018.

Frames

C Henrot, M Jacotey and more