Works
- 1In the Weeds2024
- 2Heart Landi2024
- 3Infilled2024
- 4Diet Wood2023
- 5Modernism has sprung a leak2023
- 6Square Log2023
- 7Inox Detox2023
- 8Kiko2022
- 9Power carved2022
- 10Toothpick2021
- 11Stealth2021
- 12Lipos2020
- 13Tan2020
- 14Log Furniture2020
- 15Soft Metal +2020
- 16Soft Metal2019
- 17Dance Mix2019
- 18Tufnol Shaker2019
- 19Fotoprogettazione2019
- 20Carved Aluminium2019
- 21Hi-performance Flowers2018
- 22Purged Plastic2018
- 23Puffy Brick2018
- 24BN&F2017
- 25Hard Round2016
- 26I will love you forever ...2016
- 27Surface Service2016
- 28New Surface Strategies2015
- 29Pearl Screw Top2014
- 30Lenticularis2014
- 31Standard Steel2013
- 32Corporate Marble2013
Projects
- 12025
Carved Aluminium hooks
Kiko Kostadinov - 22024
Addicted interior
Kiko Kostadinov - 32024
Llaannddii
Zurich Design Weeks x Vitra - 42024
Pietre
Gufram - 52023
Dover Street Market interiors
Kiko Kostadinov - 62023
Inox Detox LED
Tabar by Dan Adlešič - 72022
59th Venice Biennale
We Walked the Earth by Uffe Isolotto - 82021
Den Frie 21 exhibition
Sekaleht by Uffe Isolotto - 92021
Sun City
Marsèll x PIN-UP - 102021
004 Coffee Table
Vaarnii - 112019
States of Mind interior
Greenhouse by JP Flavien - 122017
Frames
M Jacotey, C Henrot and more - 132017
Spring Break
Superbench
Words
- 1
Natural Order & Violent Hobbies
Despite the prophecies of software and technology replacing the hard world, we are still an extremely object-oriented species. There is satisfaction in owning things ...
- 2
Tag Poems
Damascus Steel, Anodized Titanium, Carbon Fiber, Abalone, Fossil Mastodon Ivory, Timascus, Super Conductor, 24k Gold, Semi-Transparent Shell, Gemstones, Meteorites ...
- 3
Gallery Infrastructure Catalog
Placeholders are by definition generic beings, functioning as a cosmetic representation of something more important. We can also view the term as as holder of place, a plinth or a ...
- 4
Soft Renaissance
A progressive radii on every corner, particularly on electronic devices, has become a kind of default in design circles, settings fetishised by Apple. We have all seen those ...
- 5
Liquid Tension
So much of what was physical has become digital, fantasies of wading out into a digital ocean, never to return, are becoming an everyday dream for some, the end of humanity to others ...
- 6
Surface Fictions By Jeppe Ugelvig
The trickery of sensory perception has been a prominent feature of aesthetic production since the high Baroque, initially through the technique quadratura, which sought to ...
- 7
User Agreement
There is a feeling that we have reached a point where the abundance of the variety of products, their methods of proliferation, and the internet marketplace have ...
Nicholas Gardner and Saša Štucin focus on creating work with conflicting functions and imagery, without abandoning beauty or consumer logic. They are keen to blur the boundaries between acceptable furniture typologies and conceptual representative objects. Making plays a big role in their practice. They are designers and manufacturers of their objects. Their interest in various materials results in a diverse body of work. The refined, simplified forms of their works reflect principles of mid-century design, but the pieces also veer toward conceptual territory by evoking the malleability of how objects are seen and mediated today.
Their work has been exhibited at the Swiss Institute, Friedman Benda and Patrick Parrish in New York City; Royal Academy of Arts, V&A, Christie’s, Somerset House and the Design Museum in London; RM68 in Beijing; Gallery Sohe in Shanghai; Etage Projects in Copenhagen; Nieuwe Instituut in Rotterdam; Museum für Gestaltung in Zürich, A Palazzo Gallery and Palazzo Monti in Brescia; Barbati Gallery, Biennale Architettura and Biennale Arte in Venice.